He stood over the body in the fading light, adjusting the hair and putting the finishing touches to the simple toilet, doing all mechanically, with soulless care. And still through his consciousness ran an undersense of conviction that all was right—that he should have her again as before, and everything explained. He had had no experience in grief; his capacity had not been enlarged by use. His heart could not contain it all, nor his imagination rightly conceive it. He did not know he was so hard struck; that knowledge would come later, and never go. Grief is an artist of powers as various as the instruments upon which he plays his dirges for the dead, evoking from some the sharpest, shrillest notes, from others the low, grave chords that throb recurrent like the slow beating of a distant drum. Some natures it startles; some it stupefies. To one it comes like the stroke of an arrow, stinging all the sensibilities to a keener life; to another as the blow of a bludgeon, which in crushing benumbs.
Category: Ambrose Bierce ~
Ambrose Gwinnett Bierce (June 24, 1842 – circa 1914) was an American editorialist, journalist, short story writer, fabulist, and satirist. He wrote the short story “An Occurrence at Owl Creek Bridge” and compiled a satirical lexicon, The Devil’s Dictionary. His vehemence as a critic, his motto “Nothing matters”, and the sardonic view of human nature that informed his work, all earned him the nickname “Bitter Bierce”. (Bio from Wikipedia)
On foot, from necessity or in deference to his dismounted commander or associates, his conduct was the same. He would stand like a rock in the open when officers and men alike had taken to cover; while men older in service and years, higher in rank and of unquestionable intrepidity, were loyally preserving behind the crest of a hill lives infinitely precious to their country, this fellow would stand, equally idle, on the ridge, facing in the direction of the sharpest fire.
When battles are going on in open ground it frequently occurs that the opposing lines, confronting each other within a stone’s throw for hours, hug the earth as closely as if they loved it. The line officers in their proper places flatten themselves no less, and the field officers, their horses all killed or sent to the rear, crouch beneath the infernal canopy of hissing lead and screaming iron without a thought of personal dignity.
In such circumstances the life of a staff officer of a brigade is distinctly “not a happy one”, mainly because of its precarious tenure and the unnerving alternations of emotion to which he is exposed. From a position of that comparative security from which a civilian would ascribe his escape to a “miracle,” he may be dispatched with an order to some commander of a prone regiment in the front line – a person for the moment inconspicuous and not always easy to find without a deal of search among men somewhat preoccupied, and in a din in which question and answer alike must be imparted in the sign language. It is customary in such cases to duck the head and scuttle away on a keen run, an object of lively interest to some thousands of admiring marksmen. In returning – well, it’s not customary to return.